Since 7 October 2023, a significant share of French audiovisual media coverage of the Israeli war on Gaza, and subsequently of the war in Lebanon, has revealed an inability to inform accurately, as well as a deeper crisis in the categories through which the Middle East is rendered intelligible.
What has prevailed across a majority of television channels is therefore not merely an editorial political bias, a compassion asymmetry, or a hierarchy of urgencies. It is a genuine reconfiguration of the gaze. The Israeli narrative of the war, together with its military terminology, was adopted and then gradually detached from history, the social sciences, and international law.
From that moment on, the societies targeted by the “Israeli operations” ceased to appear as inhabited worlds, shaped by social relations, memories, institutions, aspirations, and by individual as well as collective experiences. They became spaces of “surgical” intervention, theatres of manoeuvre, maps saturated with objectives and risks. The consequence of such a shift was decisive: by substituting a cold commentary for politics, this coverage did not merely impoverish analysis; it also helped render acceptable extreme forms of violence and criminality.

